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Two time Oscar(r)-nominee Winona Ryder stars in the fascinating true story of a young woman's life-altering stay at a famous psychiatric hospital in the turbulent late 1960's. Questionably diagnosed with Borderline Personality Disorder, Susanna (Winona Ryder) rebels against the head nurse (Whoopi Goldberg) and top psychiatrist (Vanessa Redgrave), choosing instead to befriend the resident "loonies",a group of troubled women including the seductively charismatic sociopath Lisa (Angelina Jolie). But Susanna quickly learns if she wants her freedom, she'll have to face the person who terrifies her the most of all: herself.Based on Susanna Kaysen's acclaimed journal-memoir, Girl, Interrupted bears ine! vitable resemblance to One Flew Over the Cuckoo's Nest, and pale comparison to that earlier classic is impossible to avoid. The mental institution settings of both films guarantee a certain degree of déjà vu and at least one Oscar winner (in this case, Angelina Jolie), since playing a loony is any actor's dream gig. Unfortunately, director James Mangold seems to have misplaced the depth and delicacy of his underrated debut, Heavy, despite a great deal of earnest effort by everyone involved. It's easy to see why Winona Ryder chose to star in (and executive-produce) this nearly worthy adaptation of Kaysen's book, since it's a strong vehicle for female casting and potent drama. Mangold certainly got the former; whether he succeeded with the latter is not so clear.

To be sure, Ryder conveys the confusion and chaos that signified Kaysen's life during nearly 18 months of voluntary institutionalization beginning in 1967. But the film seems too eager to embrac! e the cliché that the "crazies" of the Claymoore women's war! d are sa ner than the war-torn world outside, and lack of narrative focus gives way to semipredictable character study. Susanna (Ryder) is labeled with "borderline personality disorder," a diagnosis as ambiguous as her own emotions, and while Jolie chews the scenery as the resident bad-girl sociopath, Ryder effectively conveys an odyssey from vulnerable fear to self-awareness and, finally, to healing. The ensemble cast is uniformly superb, making this drama well worthwhile, even as it treads familiar territory. If it ultimately lacks dramatic impact, Girl, Interrupted makes it painfully clear that the boundaries of dysfunction are hazy in a world where everyone's crazy once in a while. --Jeff ShannonIn 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital.  She spent most of the next two years on the ward for teenage girls in a psychiatric hospital as renowned for its famous c! lientele--Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles--as for its progressive methods of treating those who could afford its sanctuary.

Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a "parallel universe" set within the kaleidoscopically shifting landscape of the late sixties. Girl, Interrupted is a clear-sighted, unflinching documnet that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery.When reality got "too dense" for 18-year-old Susanna Kaysen, she was hospitalized. It was 1967, and reality was too dense for many people. But few who are labeled mad and locked up for refusing to stick to an agreed-upon reality possess Kaysen's lucidity in sorting out a maelstrom of contrary perceptions. Her observations about hospital life are deftly rendered; often darkly funny. H! er clarity about the complex province of brain and mind, of n! euro-che mical activity and something more, make this book of brief essays an exquisite challenge to conventional thinking about what is normal and what is deviant.