Columbia River Knife and Tool 5150 Hole in One
- 420J2 Stainless Steel
- Blade locked open and closed
- Non-reflective bead blast finish
- Razor edge knife
- Blade and frame have durable non-reflective bead-blast finish
Low on plot and high on self-discovery, High Fidelity takes a good 30 minutes or so to find its groove (not unlike Cusack's Grosse Pointe Blank), but once it does, it settles into it comfortably and builds a surprisingly touching momentum. Rob is basically a grown-up version of Cusack's character in Say Anything (who was told "Don't be a guy--be a man!"), and if you like Cusack's brand of smart-alecky romanticism, you'll automatically be won over (if you can handle Cusack's almost-nonstop talking to the camera). Still, it's hard not to be moved by Rob's plight. At the beginning of the film he and his coworkers at the record store (played hilariously by Jack Black and Todd Louiso) seem like overgrown boys in their secret clubhouse; by the end, they've grown up considerably, with a cl! ear-eyed view of life. Ably directed by Stephen Frears (Dangerous Liaisons), High Fidelity features a notable supporting cast of the women in Rob's life, including the striking, Danish-born Hjejle, Lisa Bonet as a sultry singer-songwriter, and the triumphant triumvirate of Lili Taylor, Joelle Carter, and Catherine Zeta-Jones as Rob's ex-girlfriends. With brief cameos by Tim Robbins as Laura's new, New Age boyfriend and Bruce Springsteen as himself. --Mark Englehart
In this suspenseful crime story, Tom McKenna is a family man who becomes an instant media celebrity when he thwarts a robbery at his own diner â" a robbery attempted by wanted murderers. McKennaâs newfound fame draws the attention of a group of merciless mobsters who have been looking to settle a score with him for over 20 years. Now, as the killers descend upon his small town in Middle America, the Brooklyn native must face the actions of his youth and relive his past hi! story of violence as he attempts to salvage the life he has built and keep his family out of harmâs way.
An average family is thrust into the spotlight after the father (Viggo Mortensen) commits a seemingly self-defense murder at his diner.On the surface, David Cronenberg may seem an unlikely candidate to direct A History of Violence, but dig deeper and you'll see that he's the right man for the job. As an intellectual seeker of meaning and an avowed believer in Darwinian survival of the fittest, Cronenberg knows that the story of mild-mannered small-town diner proprietor Tom Stall (Viggo Mortensen) is in fact a multilayered examination of inbred human behavior, beginning when Tom's skillful killing of two would-be robbers draws unwanted attention to his idyllic family life in rural Indiana. He's got a loving wife (Maria Bello) and young daughter (Heidi Hayes) who are about to learn things about Tom they hadn't suspected, and a teenage son (Ashton Holmes) who ha! s inherited his father's most prominent survival trait, manife! sting it self in ways he never expected. By the time Tom has come into contact with a scarred villain (Ed Harris) and connections that lead him to a half-crazy kingpin (William Hurt, in a spectacular cameo), Cronenberg has plumbed the dark depths of human nature so skillfully that A History of Violence stands well above the graphic novel that inspired it (indeed, Cronenberg was unaware of the source material behind Josh Olson's chilling adaptation). With hard-hitting violence that's as sudden as it is graphically authentic, this is A History of Violence that's worthy of serious study and widespread acclaim. --Jeff ShannonThere are a few new characters: Sharpay's personal assistant Tiara Gold (Jemma McKenzie-Brown), and Troy's hangers-on, Rocket Man (Matt Prokop) and Donny Dion (Justin Martin), who may give the franchise life beyond its original cast (if they make some headway in the likability department). But it's all about the songs and the dances. Ryan and Sharpay sizzle in a classic-musical tribute! "I Want It All"; Troy and Gabriella share a rooftop waltz in "Can I Have This Dance"; and Troy and Chad blow off steam in a salvage yard in "The Boys Are Back." "Now or Never" is this film's "sports song," and Troy and Gabriella have their big duet "Just Wanna Be With You" and their own showcases, in "Scream" and "Walk Away," respectively. If the closing anthem, "High School Musical," seems on the self-congratulatory side, it's a rare misstep in a series that has made a generation of tweens (especially girls) sing and dance and realize they can be whatever they want to be. --David Horiuchi
Stills from High School Musical 3: Senior Year (Click for larger image)
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