Friday, November 18, 2011

Rand McNally Are We There Yet? (Backseat Books)

  • 64 Pages
  • Includes journal for trip tracking
  • Answer key included
When Nick (Ice Cube, Barbershop) falls for single mother Suzanne (Nia Long, Big Momma's House), he initially doesn't have to worry about what her kids think of him because she just wants to "be friends." Undeterred by this statement- or his buddies, who dog him for loitering in the stalking-friend zone- Nick keeps hanging around. So when Suzanne finds herself in a jam and needs someone to escort her kids to meet her in Vancouver for New Year's Eve, Nick gladly opens the door for opportunity. Itcould be the best way to win her heart or the biggest mistake of his life. With more that one destination on his mind, Nick embarks on a road trip he'll never forget- and neither will you!Ice Cube has turned his frown upside down with the family-friendly screwball road movie Are We There Yet? We know the! actor/rapper can use his trademark scowl to be funny (the Friday and Barbershop series), or to be mean (Boyz in the Hood)--but can he use it to melt kids' hearts? That's the question Are We There Yet? answers with a resounding yes for youngsters in the audience (which will be the lions' share), but it'll probably be an emphatic shrug for the grownups. The contrived plot has Cube playing a wannabe-player (as in ladies' man) and ex-player (as in washed-up minor league baseball star) who now owns a sports memorabilia business. His partner, played by Jay Mohr is just a throwaway, as is the talented Nia Long, the single mom that Cube sets his blinged-out sights on. To try to get in her good graces, he offers to transport her two bratty kids in his pride-and-joy Lincoln Navigator for a joy ride to a distant city where she's attending an emergency business meeting so they can have a New Year's Eve celebration together. This kiddies version of Road T! rip and Planes, Trains and Automobiles has its cute! moments , but plenty more gross-out moments which will please the kids no end, especially as the Navigator gets more and more trashed. Suffice it to say they all learn about each others' good sides and hearts are suitably melted all around--until after the credits roll, then you'll probably forget about the whole thing.--Ted FryA dealer in sports collectibles falls for a beautiful executive only to discover that to win her, he must win the affection of her two young children who are determined to keep their mother single.
Genre: Feature Film Family
Rating: PG
Release Date: 8-SEP-2006
Media Type: DVDIce Cube has turned his frown upside down with the family-friendly screwball road movie Are We There Yet? We know the actor/rapper can use his trademark scowl to be funny (the Friday and Barbershop series), or to be mean (Boyz in the Hood)--but can he use it to melt kids' hearts? That's the question Are We There! Yet? answers with a resounding yes for youngsters in the audience (which will be the lions' share), but it'll probably be an emphatic shrug for the grownups. The contrived plot has Cube playing a wannabe-player (as in ladies' man) and ex-player (as in washed-up minor league baseball star) who now owns a sports memorabilia business. His partner, played by Jay Mohr is just a throwaway, as is the talented Nia Long, the single mom that Cube sets his blinged-out sights on. To try to get in her good graces, he offers to transport her two bratty kids in his pride-and-joy Lincoln Navigator for a joy ride to a distant city where she's attending an emergency business meeting so they can have a New Year's Eve celebration together. This kiddies version of Road Trip and Planes, Trains and Automobiles has its cute moments, but plenty more gross-out moments which will please the kids no end, especially as the Navigator gets more and more trashed. Suffice it to say they ! all learn about each others' good sides and hearts are suitabl! y melted all around--until after the credits roll, then you'll probably forget about the whole thing.--Ted FryNewlyweds Nick (Ice Cube) and Suzanne (Nia Long) decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor (John C. McGinley) with a bizarre approach to business.If, 18 years ago, you had told rapper Ice Cube he'd have a hit family movie called Are We There Yet?, he would have sneered in your face. Yet here he is with that movie's sequel, Are We Done Yet?, in which Nick Persons (Cube, Barbershop, Friday) takes his new wife Suzanne (Nia Long, Big Momma's House) and her two cantankerous kids out to an old house in the country. Unfortunately, the house proves to have a few problems, and Nick finds himself at the mercy of a real estate agent/contractor/house inspector/midwife Chuck (John C. McGinley, Scrubs), who before long is turning Nick's house--and h! is life--inside out. The script for Are We Done Yet? is based on an classic (though little remembered) Cary Grant movie, Mr. Blandings Builds His Dream House. While Cube doesn't have Grant's comic skills, he has grown into a comfortable and charming screen presence, and he gives this ramshackle entertainment a decent foundation. But it's McGinley who steals the movie with his truly bizarre yet mesmerizing performance; aside from some pratfalls, Cube spends most of the movie staring in horror or astonishment at McGinley as the tall lanky white man walks a very fine line between comedy and schizophrenia. --Bret FetzerSummary:
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About the Author:

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Author: Karen^Rand McNally Richards
Illustrator: Steven Mach
Publisher:Rand McNally & Company
Published Date:04/01/2003
Format:Paperback
ISBN:0528965433
#of pages:#N/A

Smiling Fish & Goat on Fire - Movie Poster 28"x41"

Big Red Calculator, The Official Calculator Of The National Debt

  • 16-Digit Large LED Display
  • Tax, Mark Up and Memory Ideal for Business and Finance
  • 112 Step Check and Correct for Long Calculations
  • Solar / Battery Powered
  • "Official Calculator of the National Debt"
Academy Award® winner Helen Mirren and two-time Academy Award® nominee Tom Wilkinson star in The Debt, "a pulse-pounding and politically charged suspense thriller." (Karen Durbin, Elle) In 1966, three Mossad agents were assigned to track down a feared Nazi war criminal hiding in East Berlin, a mission accomplished at great risk and personal cost - or was it? Thirty years later, the suspense builds as shocking news and surprising revelations compel retired team member Rachel Singer (Mirren) to take matters into her own hands. Co-starring Sam Worthington, Jessica Chastain and Ciarán Hinds, it's the film critics call "an intelligent thriller with superb performances.! " (USA Today) Starring: Helen Mirren, Sam Worthington, Jessica Chastain, Jesper Christensen, Marton Csokas, Ciaran Hinds, Tom Wilkinson Directed by: John MaddenThe Debt fuses physical and moral peril as it fuses past and present. In the contemporary half of the story, ex-Mossad agent Rachel Singer (Helen Mirren) tells and retells the story of how she and her fellow agents David Peretz (Ciarán Hinds, Rome) and Stephan Gold (Tom Wilkinson, In the Bedroom) captured and killed a Nazi war criminal. But in flashbacks to Cold War East Berlin, younger versions of Rachel, David, and Stephan (Jessica Chastain, Sam Worthington, and Marton Csokas, respectively) play out a significantly different series of events--and the gap between past and present takes its toll on all three in different (and in one case gut-wrenching) ways. Though Mirren, Hinds, and Wilkinson are a powerhouse trio, it's the Cold War scenes that take hold of the viewer. Jesper Christensen (as t! he Nazi) invests his conversations with Chastain and Worthingt! on with silky insinuation and taunting contempt, building a devastating suspense. Fans accustomed to Worthington in his action-movie roles (Avatar, Clash of the Titans) will be surprised by the gentle vulnerability he shows here, but it's Chastain (The Tree of Life) who captures the movie's emotional core. She and Mirren perform a strange collaboration that can only happen in the movies, building a fierce and brittle woman out of their complementary performances. --Bret Fetzer[Siren Classic: Erotic BDSM Romance, suspense, sex toys] At twenty-eight, Maddie James has risen through the ranks of investment bank Goldstein Rivers to achieve great success. All of that changes when she receives a demand for half a million dollars for the safe return of her sister. Torn between her allegiance to her job and the demands of the kidnappers, she secretly wires the money, hoping to replace it with the sale of her house. When thirty-six-year-old wealthy businessman Keat! on Rivers discovers the money is missing from his company, he suspects Maddie. Will he throw her to the wolves or find another way for her to repay the debt? As a Dom, Keaton knows Maddie would make the perfect submissive. From the very first moment he laid eyes on her, he’d wanted her. Only this time it will be on his terms... To save her career, will Maddie make a deal with the Dom? Note: This book contains anal sex. ** A Siren Erotic Romance[Siren Classic: Erotic BDSM Romance, suspense, sex toys] At twenty-eight, Maddie James has risen through the ranks of investment bank Goldstein Rivers to achieve great success. All of that changes when she receives a demand for half a million dollars for the safe return of her sister. Torn between her allegiance to her job and the demands of the kidnappers, she secretly wires the money, hoping to replace it with the sale of her house. When thirty-six-year-old wealthy businessman Keaton Rivers discovers the money is missing from his ! company, he suspects Maddie. Will he throw her to the wolves o! r find a nother way for her to repay the debt? As a Dom, Keaton knows Maddie would make the perfect submissive. From the very first moment he laid eyes on her, he’d wanted her. Only this time it will be on his terms... To save her career, will Maddie make a deal with the Dom? Note: This book contains anal sex. ** A Siren Erotic RomanceBefore there was money, there was debt

Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systemsâ€"to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it.

Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goodsâ€"that is, long before the invention of coins or cash. It is in this! era, Graeber argues, that we also first encounter a society divided into debtors and creditors.

Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.

Debt: The First 5,000 Years is a fascinating chronicle of this little known historyâ€"as well as how it has defined human history, and what it means for the credit crisis of the present day and the future of our economy.


From the Hardcover edition.Before there was money, there was debt

Every economics textbook says the sa! me thing: Money was invented to replace onerous and complicate! d barter systemsâ€"to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it.

Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goodsâ€"that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors.

Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape eve! n our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.

Debt: The First 5,000 Years is a fascinating chronicle of this little known historyâ€"as well as how it has defined human history, and what it means for the credit crisis of the present day and the future of our economy.


From the Hardcover edition.The Big Red Calculator is capable of displaying very large numbers like "Trillions", or calculating the National Debt and the Federal Budget Deficit. For business, office and home use. Large digits allow easy viewing and large sure-feel buttons make digit entry reliable. Dual power allows for use in varied lighting conditions. Includes illustrated step-by-step manual with sample calculations. Features include 16-digit large LED display capable of showing "trillions", with Tax, Mark Up, 112 Step Check, Auto Replay and Grand Total functions, solar/battery power, large sure-feel buttons, bold red color, easy-to-read instructions, CE/RoHS compliant.

Wrath of Gods

  • Director's Cut, 72 minutes
  • 2 hours of bonus material
  • 1 hour exclusive interview with Gerard Butler
  • Additional and extended scenes & exclusive interviews with the people behind Beowulf & Grendel
  • Subtitles: Spanish, German, French, Icelandic, Polish + Version for the hearing impaired
This touching and humorous movie has earned the raves of critics and won the hearts of audiences everywhere! To spare the feelings of her fatherless boy, Lizzie (Emily Mortimer -- Disney's THE KID) secretly authors letters from his "father" that detail seafaring adventures from around the world. But she cannot maintain this illusion forever. Torn between exposing the truth and protecting her son, Lizzie gets more than anyone bargained for when she hires a handsome stranger (Gerald Butler -- THE PHANTOM OF THE OPERA, LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE) to play the role of a li! fetime! Winner at both the Heartland Film Festival and the Seattle International Film Festival, this entertaining motion picture is sure to touch your heart!Driven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizzie's repressed desires come ! to the fore with a man posing as her husband. The moral tangle! s are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghDriven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizz! ie's repressed desires come to the fore with a man posing as her husband. The moral tangles are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Short Film, Trailer(s), SYNOPSIS: The title character in this bowl of Scottish blarney is a sweet nine-year-old deaf boy (Jack McElhone) who lives a fugitive existence with his beautiful mother (Emily Mortimer) and his chain-smoking grandmother (Mary Riggans). The family is forced to move every few months to avoid being tracked down by Frankie's violent, abusive father. Th! e happiness of the boy, who is too young to remember the his f! ather re volves around bogus letters penned by his mother posing as his devoted but absent dad, supposedly a merchant seaman. When a ship that coincidentally has the same name as the one his mother invented docks, she hires an impersonator (Gerard Butler) to play his seafaring dad. Although sensitively acted, the movie is a fraudulent mawkish yarn riddled with plot holes and improbabilities. SCREENED/AWARDED AT: BAFTA Awards, European Film Awards, Montreal World Film Festival, ...Dear FrankieWinner of 6 international film festival awards, this entertaining documentary tells the dramatic story behind the making of the epic movie Beowulf & Grendel, starring Gerard Butler, Stellan Skarsgard, Sarah Polley and Ingvar Sigurdsson. When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves. Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf's warriors, he's one set with his camera as the crew battles hurricane force winds and he's in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision. If you liked "Lost in la Mancha" or "Burden of Dreams" you will probably like this one. DVD Special Features: 2 hours of bonus features, 1 hour exclusive interview with Gerard Butler, exclusive interviews with producers of Beowulf & Grendel, additional & extended scenes, chapter selection, Subtitles: Spanish, German, French, Icelandic, Polish, English, version for the hearing impaired.

The Fast and Furious 5 Step Organizing Solution: No-Fuss Clutter Control from a Top Professional Organizer

The Ghost Writer

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; DVD; NTSC; Subtitled; Widescreen
Dorothy Parker meets Agatha Christie.

"Chick-lit noir with a side of funny." - Ruth Harris, NYT best-selling author of "Modern Women" and "Husbands and Lovers".

"Chick-lit for brunettes." - Saffina Desforges, Kindle UK best-selling author of "Sugar & Spice" and the "Rose Red" crime thriller series.

The writers’ conference is a mostly American phenomenon. It’s usually a combination of bucolic holiday and intensive writing course, where aspiring writers can hone their craft, learn the ins and outs of the publishing business and network with other writers at all stages of their careers.

Ghostwriters In The Sky is set at one such conferenceâ€"held at a picturesque former “dude ranch” in California’s idyllic wine-and-cattle country north of Los Ange! lesâ€"an area that has long been a retreat for Hollywood celebrities, from President Ronald Reagan to pop star Michael Jackson.

No pop-stars or presidents here, but enough mystery and bizarre goings-on to make Michael Jackson's life look tame.

Grab yourself a glass of wine, a box of chocolates and a comfy sofa, and enjoy.




Dorothy Parker meets Agatha Christie.

"Chick-lit noir with a side of funny." - Ruth Harris, NYT best-selling author of "Modern Women" and "Husbands and Lovers".

"Chick-lit for brunettes." - Saffina Desforges, Kindle UK best-selling author of "Sugar & Spice" and the "Rose Red" crime thriller series.

The writers’ conference is a mostly American phenomenon. It’s usually a combination of bucolic holiday and intensive writing course, where aspiring writers can hone their craft, learn the ins and outs of the publishing business and network with other writers at all stages of their career! s.

Ghostwriters In The Sky is set at one such conferen! ceâ€"hel d at a picturesque former “dude ranch” in California’s idyllic wine-and-cattle country north of Los Angelesâ€"an area that has long been a retreat for Hollywood celebrities, from President Ronald Reagan to pop star Michael Jackson.

No pop-stars or presidents here, but enough mystery and bizarre goings-on to make Michael Jackson's life look tame.

Grab yourself a glass of wine, a box of chocolates and a comfy sofa, and enjoy.




From the bestselling author of Fatherland and Imperium comes The Ghost, an extraordinarily auspicious thriller of power, politics, corruption, and murder. Dashing, captivating Adam Lang was Britain's longest serving -- and most controversial -- prime minister of the last half century, whose career ended in tatters after he sided with America in an unpopular war on terror. Now, after stepping down in disgrace, Lang is hiding out in wintry Martha's Vineyard to finish his much sought-after, potentia! lly explosive memoir, for which he accepted one of history's largest cash advances. But the project runs aground when his ghostwriter suddenly and mysteriously disappears and later washes up, dead, on the island's deserted shore.

Enter our hero -- Lang's new ghostwriter -- cynical, mercenary, and quick with a line of deadpan humor. Accustomed to working with fading rock stars and minor celebrities, he jumps at the chance to be the new ghost of Adam Lang's memoirs, especially as it means a big payday. At once he flies to Lang's remote location in America to finish the book in the seclusion of a luxurious estate, but it doesn't take him long to realize he has made a fatal error in judgment.

The state of affairs is grim enough when the ghost begins to unearth the bone-chilling circumstances of his predecessor's death. And before long, he discovers that the ex-prime minister is not just a charismatic politician who made a few mistakes. He's a dark, tortured man with hau! nting secrets in his past -- secrets with the power to alter w! orld pol itics. Secrets with the power to kill.

Robert Harris is known the world over as a master of his trade. The Ghost is yet another signature, brilliant tour de force that will compel, captivate, and excite readers to the very last shocking page.From the bestselling author of Fatherland and Imperium comes The Ghost, an extraordinarily auspicious thriller of power, politics, corruption, and murder. Dashing, captivating Adam Lang was Britain's longest serving -- and most controversial -- prime minister of the last half century, whose career ended in tatters after he sided with America in an unpopular war on terror. Now, after stepping down in disgrace, Lang is hiding out in wintry Martha's Vineyard to finish his much sought-after, potentially explosive memoir, for which he accepted one of history's largest cash advances. But the project runs aground when his ghostwriter suddenly and mysteriously disappears and later washes up, dead, on the island's ! deserted shore.

Enter our hero -- Lang's new ghostwriter -- cynical, mercenary, and quick with a line of deadpan humor. Accustomed to working with fading rock stars and minor celebrities, he jumps at the chance to be the new ghost of Adam Lang's memoirs, especially as it means a big payday. At once he flies to Lang's remote location in America to finish the book in the seclusion of a luxurious estate, but it doesn't take him long to realize he has made a fatal error in judgment.

The state of affairs is grim enough when the ghost begins to unearth the bone-chilling circumstances of his predecessor's death. And before long, he discovers that the ex-prime minister is not just a charismatic politician who made a few mistakes. He's a dark, tortured man with haunting secrets in his past -- secrets with the power to alter world politics. Secrets with the power to kill.

Robert Harris is known the world over as a master of his trade. The Ghost is yet another signa! ture, brilliant tour de force that will compel, captivate, and! excite readers to the very last shocking page.When a gifted ghostwriter (Ewan McGregor) is hired to write the memoirs of former British Prime Minister Adam Lang (Pierce Brosnan), he quickly finds himself trapped in a web of political and sexual intrigue. Lang is implicated in a scandal over his administration's harsh tactics, and as the ghostwriter digs into the politician's past, he discovers secrets that threaten to jeopardize international relations forever. Co-starring Olivia Williams and Kim Cattrall, it is a taut and shocking thriller from acclaimed director Roman Polanski (The Pianist).

Oscar-winning director Roman Polanksi (The Pianist) teams up with author-screenwriter Robert Harris (Enigma) for this twisty political thriller. Ewan McGregor plays an unnamed ghostwriter who signs on to pen the memoirs of former British prime minister Adam Lang (Pierce Brosnan). The money is good, but there's a catch: the ghost's predecessor perished under mysterious! circumstances (his body washed up on the shore in an apparent suicide). Being the adventurous sort, the ghost puts that information aside and travels to Lang's austere compound on Martha's Vineyard, where he meets Lang's efficient personal secretary, Amelia (Kim Cattrall, good but for an inconsistent accent), and acerbic wife, Ruth (An Education's Olivia Williams). Just as he's wading through Lang's dull text, the PM's ex-cabinet minister accuses him of handing over suspected terrorists to the CIA, fully aware that torture would be on the agenda. The next thing the ghost knows, he's working for a possible war criminal, and the deeper he digs, the more convinced he becomes that Lang is lying about his past. After exchanging a few words with a sharp-eyed old man (Eli Wallach) and a tight-lipped professor (Tom Wilkinson), he realizes his life may also be at risk. Then, while Lang hits the road to proclaim his innocence, the ghost gets to know Ruth better--much b! etter. If the conclusion feels a little glib, Polanksi tighten! s the sc rews with skill, McGregor enjoys his best role in years, and Williams proves she's fully prepared to carry a movie of her own. --Kathleen C. Fennessy

The Unknown Civil War Series: Gettysburg

  • GETTYSBURG (DVD MOVIE)
Depicts the famous Civil War battle which was the turning point of the war.
Genre: Feature Film-Action/Adventure
Rating: PG
Release Date: 7-JUN-2005
Media Type: DVDThree days in the summer of 1863, at a place called Gettysburg. Although it received a theatrical release, this four-hour depiction of the bloody Civil War battle was shot as a made-for-television film. But no taint of cheapness or shortcuts should stick to this magnificent picture (well, except maybe for those phony-looking mustaches). Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importance only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of li! fe, death, and unexpected heroism. If the film has a problem, it's that it climaxes too early: the first long segment, detailing the struggle of a "civilian soldier," Union Colonel Joshua Lawrence Chamberlain (Jeff Daniels), to hold his ground against long odds, is an enthralling piece of moviemaking. Daniels, in a heartbreaking performance, does his best film work. Other cast members include Tom Berenger, Sam Elliott, and Martin Sheen as Robert E. Lee. Richard Jordan, in his final role, gives a powerhouse performance as Confederate general Lewis A. Armistead. Oh, and you can also try to spot Ted Turner, whose company produced the film, as a Confederate soldier. Writer-director Ronald F. Maxwell seems inspired by the gravity of the battle; long as it is, every moment of Gettysburg is informed by a nobility of purpose. --Robert HortonMarking the 150th-anniversary commemoration of the Civil War, Ronald F. Maxwell’s acclaimed film now arrives in a Director’s ! Cut featuring 17 minutes of compelling additional footage. Fil! med at a ctual battle locations and full of authentic details, this rousing and soulful movie plunges you into the heat of the bloodiest battle fought on American soil. History comes alive with intense and spirited battles as well as the dilemmas, motivations and fears of the leaders. Tom Berenger, Jeff Daniels, Martin Sheen and Stephen Lang star in this magnificent epic based on Michael Shaara's Pulitzer Prize-winning The Killer Angels.Three days in the summer of 1863, at a place called Gettysburg. Although it received a theatrical release, this four-hour depiction of the bloody Civil War battle was shot as a made-for-television film. But no taint of cheapness or shortcuts should stick to this magnificent picture (well, except maybe for those phony-looking mustaches). Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importan! ce only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of life, death, and unexpected heroism. If the film has a problem, it's that it climaxes too early: the first long segment, detailing the struggle of a "civilian soldier," Union Colonel Joshua Lawrence Chamberlain (Jeff Daniels), to hold his ground against long odds, is an enthralling piece of moviemaking. Daniels, in a heartbreaking performance, does his best film work. Other cast members include Tom Berenger, Sam Elliott, and Martin Sheen as Robert E. Lee. Richard Jordan, in his final role, gives a powerhouse performance as Confederate general Lewis A. Armistead. Oh, and you can also try to spot Ted Turner, whose company produced the film, as a Confederate soldier. Writer-director Ronald F. Maxwell seems inspired by the gravity of the battle; long as it is, every moment of Gettysburg is informed by a nobility of purpose. --Robert HortonA masterful, single-volume history of the Civil War's gre! atest ca mpaign.

 

Drawing on original source material, from soldiers' letters to official military records of the war, Stephen W. Sears's Gettysburg is a remarkable and dramatic account of the legendary campaign. He takes particular care in his study of the battle's leaders and offers detailed analyses of their strategies and tactics, depicting both General Meade's heroic performance in his first week of army command and General Lee's role in the agonizing failure of the Confederate army. With characteristic style and insight, Sears brings the epic tale of the battle in Pennsylvania vividly to life.Key battles of America's Civil War thunder across the screen in two richly scaled, rigorously authentic, powerfully compelling epics based on acclaimed historical novels by Michael Shaara. The tide of the war changes during three fierce days of combat at Gettysburg [Disc 1], the gripping saga of the tactics, command errors and sacrifices behind the bloodiest bat! tle ever fought on U.S. soil. Gods and Generals [Disc 2] reveals the spirited allegiances and fierce combat of earlier Civil War struggles, framing its tale with the fateful clashes at Bull Run, Fredericksburg and Chancellorsville. These sprawling films remind us of the people, passions and heroism that fanned the flames of a country at war with itself.Studio: A&e Home Video Release Date: 09/20/2011 Run time: 94 minutesThe epic battle of Gettysburg, fought over a three-day period at the beginning of July 1863, was bloody, brutal, and bitter--making it ideally suited to the History Channel's testosterone-fueled documentary approach. Viewers familiar with offerings like Battles B.C., Patton 360, and multiple others will recognize this style: loud and kinetic, flashy and unsubtle, Gettysburg blends reenactments, photos, CGI (used to depict and dissect the weaponry that made the Civil War's body count so high in general, with some 50,000 casualties at Get! tysburg alone), Sam Rockwell's macho voice-over narration, act! ors read ing the reminiscences of the participants, and a variety of expert talking heads holding forth. For the most part, it works; historians and Civil War buffs have already noted some of the factual errors, important omissions, and other problems with the material, but those less versed in the details will come away from this 94-minute program (which was executive produced by noted directors Tony and Ridley Scott) with a good deal of information about the confrontation that inspired President Abraham Lincoln's immortal address, referenced near the end of the documentary. Typical of the History Channel, some of this information is delivered in hyperbolic, melodramatic fashion. Gettysburg was "the largest battle ever fought in the Western Hemisphere," while the cannons that blasted away at Gen. Robert E. Lee's men during the fateful attack known as Pickett's Charge was "the largest artillery barrage ever" in that same sphere; numerous other events are the biggest, the most iconic,! the most important, and so on. The overheated writing does Gettysburg no favors, but director Adrian Moat and the other filmmakers' decision to focus on a variety of individuals on both sides was a wise one. Thus we learn about characters like Maj. Gen. Dan Sickles of the North, who had killed his wife's lover before the war and successfully used "the first plea of temporary insanity in U.S. history" to win acquittal; Pvt. Amos Humiston, another Yank, who died on the streets of the Pennsylvania town with nothing to identify him except a photo of his three sons; Confederate Lt. Gen. Dick Ewell, who had vowed revenge after losing a leg earlier in the war; Col. James Wallace, a Marylander who was both a Union officer and slave owner; and numerous others. In the end, it's these portraits that help distinguish the program from the many, many others of its ilk. --Sam Graham“[I]n a larger sense, we can not dedicateâ€"we can not consecrateâ€"we can not hallowâ€"thi! s ground. The brave men, living and dead, who struggled here, ! have con secrated it, far above our power to add or detract.”
â€"President Abraham Lincoln

James M. McPherson, the Pulitzer Prizeâ€"winning author of Battle Cry of Freedom, and arguably the finest Civil War historian in the world, walks us through the site of the bloodiest and perhaps most consequential battle ever fought by Americans.

The events that occurred at Gettysburg are etched into our collective memory, as they served to change the course of the Civil War and with it the course of history. More than any other place in the United States, Gettysburg is indeed hallowed ground. It’s no surprise that it is one of the nation’s most visited sites (nearly two million annual visitors), attracting tourists, military buffs, and students of American history.

McPherson, who has led countless tours of Gettysburg over the years, makes stops at Seminary Ridge, the Peach Orchard, Cemetery Hill, and Little Round Top, among other key locations. He reflect! s on the meaning of the battle, describes the events of those terrible three days in July 1863, and places the struggle in the greater context of American and world history. Along the way, he intersperses stories of his own encounters with the place over several decades, as well as debunking several popular myths about the battle itself.

What brought those 165,000 soldiersâ€"75,000 Confederate, 90,000 Unionâ€"to Gettysburg? Why did they lock themselves in such a death grip across these once bucolic fields until 11,000 of them were killed or mortally wounded, another 29,000 were wounded and survived, and about 10,000 were “missing”â€"mostly captured? What was accomplished by all of this carnage? Join James M. McPherson on a walk across this hallowed ground as he be encompasses the depth of meaning and historical impact of a place that helped define the nation’s character.Gettysburg â€" Director’s Cut
Marking the 150th-anniversary commemoration of ! the Civil War, Ronald F. Maxwell’s acclaimed film now arrive! s in a D irector’s Cut featuring 17 minutes of compelling additional footage. Filmed at actual battle locations and full of authentic details, this rousing and soulful movie plunges you into the heat of the bloodiest battle fought on American soil. History comes alive with intense and spirited battles as well as the dilemmas, motivations and fears of the leaders. Tom Berenger, Jeff Daniels, Martin Sheen and Stephen Lang star in this magnificent epic based on Michael Shaara's Pulitzer Prize-winning The Killer Angels.
Gods & Generals â€" Extended Director’s Cut Reedited from beginning to end with amplified scenes and an added subplot, this all-new Extended Director’s Cut of Ronald F. Maxwell’s Gettysburg prequel restores his original vision of the fierce allegiances and combat of the early American Civil War. From Jeffrey M. Shaara’s bestseller, this commemorative release coinciding with the 150th anniversary of the North/South conflict incorporates an hour of f! ootage never seen before. The story of actor and future Presidential assassin John Wilkes Booth (Chris Conner) is newly integrated throughout the narrative alongside the legendary heroism of Joshua Chamberlain (Jeff Daniels), “Stonewall” Jackson (Stephen Lang) and Robert E. Lee (Robert Duvall). And the battle of Antietam is now included along with the fateful clashes at Manassas, Fredericksburg and Chancellorsville.GETTYSBURG - DVD Movie

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