Monday, November 7, 2011

After the Wedding

  • AFTER THE WEDDING (DVD MOVIE)
Far from home, Jacob (Casino Royale villain, Mads Mikkelsen), runs a struggling orphanage in one India’s poorest regions. Desperate to save the orphanage from closure, he returns to Denmark to meet Jorgen (Rolf Lassgard) a wealthy businessman and potential benefactor. What appears to be nothing more than a friendly gesture to attend a wedding sets in motion an increasingly devastating series of surprises, revelations, and confessions that will forever change their lives.Equal parts weepy drama and soap opera, After the Wedding is a beautifully filmed story centering on Jacob (Mads Mikkelsen, Casino Royale), a Danish man working at a orphanage in Bombay. Just when funds have run desperately low, Jorgen (Rolf Lassgård)--a wealthy benefactor--promises to donate millions of dollars to the orphanage. But there's a catch. Jacob must collect the fund! s himself in Copenhagen... and attend the wedding of the eccentric millionaire's daughter. But once Jacob meets the benefactor's wife Helene (played by a radiant Sidse Babett Knudsen), it's obvious to the viewer that the two have a complicated history. It’s also likely that her daughter Anna (Stine Fischer Christensen) most probably is theirs. So why did Jorgen invite Jacob to Anna's wedding? Does he know Jacob is Anna's father? Is something nefarious in the works? The thought-provoking film was Denmark's entry for Best Foreign Language Film at the 2007 Academy Awards. Subtitled in English, the Danish picture is well helmed by director Susanne Bier (Brothers), who manages to keep the film from delving into over the top histrionics. Mikkelsen is particularly good, whether he's channeling his anger at having been shut out of his maybe-daughter's life for the past 20 years, or having to grovel a bit to get Jorgen to donate the funds as promised to his orphanage. The r! elationships here are messy and often uncomfortable. But they ! also rin g true to life. --Jae-Ha Kim

Grace Is Gone

  • Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James C. Strouse (LONESOME JIM) doesn't focus on the conflict itself. Instead, the drama looks at how the death of a female soldier affects her family at home. John Cusack (1408) is Stanley Phillips, a hus
In one of his most acclaimed performances, John Cusack makes an astonishing transformation as Stanley Philips, a sad, disconnected man unable to tell his young daughters their mother, a soldier, has died in Iraq. Instead, he takes the girls on a road trip, where their innocent charm helps him rediscover a healing joy he thought he'd lost forever.Unlike previous Iraq War films, the poignant directorial debut from writer James C. Strouse (Lonesome Jim) uses the conflict as starting point rather th! an subject. Early in the proceedings, Stanley (John Cusack) finds out his wife has been killed in the line of duty. The bespectacled disciplinarian decides not to tell his daughters right away. In his younger days, Stanley tried to serve his country, but poor eyesight dashed that dream, and now he's a superstore manager. The sort of middle-American conservative rarely seen at the art house, Stanley believes in his president. That doesn't alleviate his pain. Putting on a brave face, he asks his oblivious girls for their greatest wish. Eight-year-old Dawn (Gracie Bednarczyk) exclaims, "Enchanted Gardens!" With that, they hop in their SUV and drive from Minnesota to the Florida theme park. Twelve-year-old Heidi (Shélan O'Keefe) knows something is wrong--her dad isn't the spontaneous type--but she doesn't know what it is. En route, they visit Stanley's brother, John (Alessandro Nivola), who offers some insight into their bottled-up father. By the end of the trip, Stanley figur! es out how to break the news, in the process becoming a real p! arent. A fter winning the Audience Award at Sundance, Clint Eastwood, Cusack's Midnight in the Garden of Good and Evil director, gave the soundtrack a jazz-oriented overhaul. In tone, it's almost too refined for the blue-collar world Strouse depicts, but never distracting. More importantly, Grace Is Gone features Cusack’s finest performance to date. --Kathleen C. Fennessy

Before and After

  • Two of Hollywood's brightest stars, Meryl Streep (THE BRIDGES OF MADISON COUNTY, DEATH BECOMES HER), and Liam Neeson (SCHINDLER'S LIST) deliver spellbinding performances in this riveting, suspense-filled thriller! A small, close-knit community is rocked by a shocking murder -- and the only suspect is the teenage son of a respected local family. Suddenly, Dr. Carolyn Ryan (Streep) and her h

At 278 pounds, Susan Maria Leach couldn't lie in bed without gasping for air, wasn't able to fit into a restaurant booth, and could barely buckle the belt in an airplane seat. It would have been easier to allow life to pass her by than to continue fighting her weight problem, but she made the difficult decision to take back control. In 2001, Susan underwent gastric bypass surgery and started on a journey that would not only cut her body weight in half but would change her life.

Before & Afte! r is both a memoir and a cookbookâ€"an intimate account of Leach's own transformation as well as a guide for those who have undergone or are considering the procedure. As Leach has learned in the six years since her operation, weight-loss surgery is not an event with a finish line or a goal weightâ€"it is the beginning of a new way of life.

This edition of Before & After has been updated with all that Leach has learned on her post-op journey. It includes a foreword by Leach's surgeon, advice from a nutritionist, answers to more frequently asked questions about weight-loss surgery, a whole chapter on meal plans for different post-operative stages, suggested menus for early food stages, additional questions and answers affecting longer-term post-ops, and new information about products that have entered the marketplace.

Most notably, this edition showcases a wealth of new recipes that utilize the latest in light and healthy ingredients for smart an! d savory results, including everything from Asian Meatballs wi! th Peanu t Sauce and Turkey Tenderloin with Apple Chipotle Chutney to sugar-free Pistachio Gelato and Lemon Almond Sponge Cake. Each recipe makes about four servings, but includes a measured serving for WLS people along with a calorie/carb/fat/protein count. Leach has recipes for every step of the way, from tastes-like-the-real-thing milk shakes for those first post-op days to an entire Thanksgiving menu.

Before & After is a journal of Leach's own inspirational story, where she shares her ups and downs, her tips and techniques, but mostly it's a book of hope for anyone who has a serious weight problem.

Before and After magazine's focus on clarity, simplicity, and elegance has won it legions of fans--fans who will welcome this second volume of the definitive Before and After Page Design by John McWade. Truly an icon of the graphic design community, his insistence on approaching design not as mere decoration but as an essential form of communication is! vividly apparent in this cohesive primer on page design and layout. And you could not hope for a better, more qualified teacher. McWade shows readers how to arrange and present information using today's powerful graphics tools. Readers will learn how to design single-page and multi-page documents, brochures, and ads; why one typeface works better than another; and much more. Best of all, they'll discover how to think visually transforming the images in their heads into something that communicates effectively on the page.Two of Hollywood's brightest stars, Meryl Streep (THE HOURS, ADAPTATION), and Liam Neeson (GANGS OF NEW YORK, SCHINDLER'S LIST) deliver spellbinding performances in this riveting, suspense-filled thriller! A small, close-knit community is rocked by a shocking murder -- and the only suspect is the teenage son of a respected local family. Suddenly, Dr. Carolyn Ryan (Streep) and her husband, Ben (Neeson) are faced with a gut-wrenching dilemma: Whether to risk ! everything on their son's innocence ... or protect him from hi! s possib le guilt! Devastating yet powerfully entertaining, you're sure to agree with critics everywhere who found BEFORE AND AFTER thrilling from beginning to end!Liam Neeson and Meryl Streep play a couple going through a parents' nightmare: Their son (Edward Furlong) is accused of murdering a local girl. What's worse, he's gone into hiding, seeming to lend credence to the charges. Neeson, as a passionate, intuitive artist, tries to take matters into his own hands; when he finds what appear to be blood-stained clothes in the kid's car, he cleans the whole thing up and winds up destroying evidence, making matters increasingly worse. Before and After is a solid if stolid drama, with a strong, controlled performance by Streep as the worried wife and mother, while Neeson comes off as overwrought playing the controlling father. Given the subject matter and the presence of director Barbet Schroeder, this movie should be a lot more interesting than it is. --Marshall Fine
!

Battle: Los Angeles [Blu-ray + DVD Combo Pack] (Exclusive Steelbook Packaging) - Arron Eckhart (Blu-ray - 2011)

  • 1080p Hi-Def Blu-ray Transfer
  • Featurettes, Trailers and more bonus features!
  • EXCLUSIVE: Steelbook Packaging!
Witness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film.Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie officer with a lot of book learning who you ju! st know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive job of spitting out ham-fisted dialogue l! ike he really, really means it, while the rest of the cast is ! suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerWitness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film.Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie officer with a lot of book! learning who you just know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive job of spitting out h! am-fisted dialogue like he really, really means it, while the ! rest of the cast is suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerWitness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film. Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie offi! cer with a lot of book learning who you just know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive! job of spitting out ham-fisted dialogue like he really, reall! y means it, while the rest of the cast is suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerAn ex-Yakuza, Kenji wants for fresh start in a new place. America. He visits his buddy, Shingo in LA. Shingo s dad was also Yakuza. Now he is a chef in Little Tokyo. But culinary life is not peaceful either. There is a conspiracy in this neighborhood where gangsters are trying to evacuate storeowners from their businesses. And Kenji gets invovled. But when he gets invovled, all hell breaks loose.
Japanese gangs, Korean gangs, the Mafia, every type of criminal imaginable gets involved in what while turn into the most massive street fight you ever witnesses. And Kenji is caught right in the middle. Will he find salvation in a foreign country. To achieve it, he must battle every bad guy in his path and end t! hem, no matter who he is.Studio: Asylum Home Entertainment Release Date: 03/22/2011 Run time: 90 minutes Rating: NrStudio: Asylum Home Entertainment Release Date: 03/22/2011 Run time: 90 minutes Rating: NrMarine staff sergeant (aaron Eckhart, "The Dark Knight") and his platoon take on an enemy unlike any they've ever encountered when hostile alien invaders attack the planet in this epic science fiction action hit!

The Englishman Who Went Up a Hill But Came Down a Mountain Poster Movie Argentine 27x40 Hugh Grant

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Englishman Who Went Up a Hill But Came Down a Mountain Argentine Style A 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Comedy favorite Hugh Grant (Did You Hear About the Morgans?) stars as a young man who offends an entire town by declaring their mountainâ€"a prized local landmarkâ€"to be a ""hill"". But he soon finds the eccentric locals, led by a witty innkeeper (Colm Meaney, Get Him to The Greek), will stop at nothing to defend their honor. While the townspeople rally around their mountain, a fiery young woman (Tara Fitzgerald) charms the puzzled out-of-towner into seeing things their way. ! You'll be elevated by laughter as the hilarious townspeople rise to the occasionâ€"and the bewildered visitor stumbles into love when he least expects it!Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Films set in Wales.Comedy favorite Hugh Grant (BRIDGET JONES'S DIARY) stars as a young man who offends an entire town by declaring their mountain -- a prized landmark -- to be a "hill." But soon he finds the eccentric locals, led by a witty innkeeper (Colm Meaney -- STAR TREK: THE NEXT ! GENERATION) will stop at nothing to defend their honor! While ! the town speople rally around their "mountain," a fiery young woman (Tara Fitzgerald -- SIRENS) charms the puzzled out-of-towner into seeing things their way! You'll be elevated by laughter as the hilarious townspeople rise to the occasion -- and the bewildered visitor stumbles into love when he least expects it!Comedy favorite Hugh Grant (BRIDGET JONES'S DIARY) stars as a young man who offends an entire town by declaring their mountain -- a prized landmark -- to be a "hill." But soon he finds the eccentric locals, led by a witty innkeeper (Colm Meaney -- STAR TREK: THE NEXT GENERATION) will stop at nothing to defend their honor! While the townspeople rally around their "mountain," a fiery young woman (Tara Fitzgerald -- SIRENS) charms the puzzled out-of-towner into seeing things their way! You'll be elevated by laughter as the hilarious townspeople rise to the occasion -- and the bewildered visitor stumbles into love when he least expects it!The Englishman Who Went Up a Hill But Ca! me Down a Mountain reproduction poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

Hatchet (Unrated Director's Cut) [Blu-ray]

  • HATCHET BLU-RAY (BLU-RAY DISC)
MARYBETH RETURNS TO THE LOUSIANA SWAMPS ALONG WITH AN ARMY OF HUNTERS TO RECOVER THE BODIES OF HER FAMILY AND EXACT HER REVENGE AGAINST VICTOR CROWLEYThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget sequel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches an! d finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony Todd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.

All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to them, raising the bloody-disgusting body count and creative means of murder--outboard motor, super-size chainsaw, belt sander--strictly to satisfy an urge felt only by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet g! roupie club. Green is intentionally riffing on slasher films n! ot only with the comic dialogue and dopey characters, but also by employing icons of the genre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting movie. You're watching to see a giddy homage to the glory days of practical gore effects and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryStudio: Mpi Home Video Release Date: 02/01/2011 Rating: NrThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit! Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget sequel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches and finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony Todd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.

All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to the! m, raising the bloody-disgusting body count and creative means! of murd er--outboard motor, super-size chainsaw, belt sander--strictly to satisfy an urge felt only by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet groupie club. Green is intentionally riffing on slasher films not only with the comic dialogue and dopey characters, but also by employing icons of the genre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting! movie. You're watching to see a giddy homage to the glory days of practical gore effects and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryGet ready for one of the most talked-about, red- blooded American horror movies of the past 20 years: When a group of New Orleans tourists take a cheesy haunted swamp tour, they slam face-first into the local legend of deformed madman Victor Crowley. What follows is a psycho spree of seat-jumping scares, eye- popping nudity, skull-splitting mayhem and beyond. Joel David Moore (DODGEBALL), Deon Richmond (SCREAM 3) and Mercedes McNab (BUFFY THE VAMPIRE SLAYER) star â€" along with horror icons Tony ‘Candyman’ Todd, Robert ‘Freddy Krueger’ Englund and Kane ‘Jason’ Hodder â€" in this screamingly funny carnage classic that Fangoria hails as “a no-hold-barred homage to the days when slasher films were at their reddest and wet! test!”Adam Green's Hatchet is a goofy, gory gas that ! pays tri bute to the slasher boom of the 1980s by placing more hapless teens in the path of an indestructible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exactly surpass the movies it's spoofing; Green's characters are dopey ciphers, and Crowley's indiscriminate killing spree negates his sympathetic origins. But the dialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair ! Witch Project. The widescreen DVD includes commentary by Green and several of his players, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul GaitaStudio: Tcfhe/anchor Bay/starz Release Date: 09/07/2010 Run time: 84 minutes Rating: NrAdam Green's Hatchet is a goofy, gory gas that pays tribute to the slasher boom of the 1980s by placing more hapless teens in the path of an indestructible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exact! ly surpass the movies it's spoofing; Green's characters are do! pey ciph ers, and Crowley's indiscriminate killing spree negates his sympathetic origins. But the dialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair Witch Project. The widescreen DVD includes commentary by Green and several of his players, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul Gaita

Bloodrayne (Unrated Director's Cut)

Kidoozie My First Beauty Bag

  • A little girl's first beauty bag
  • Soft, trendy, travel bag includes fun play accessories
  • Includes motorized hair dryer, hand held mirror, 3 curlers, hair brush and curling iron
  • Motorized hair dryer makes noise just like a real one
  • Cute storage case
Queen Latifah heads an "excellent ensemble" cast in this "warm, funny, empowering" (New York Post) comedy from the producers of Barbershop and the producer of Bringing Down the House! Co-starring Alicia Silverstone, Andie MacDowell, Alfre Woodard, Mena Suvari and Djimon Hounsou - and featuring Kevin Bacon in a hilarious performance - Beauty Shop "will slap a smile on your face and keep it there" (Premiere)! When Jorge (Bacon), the egotistical boss at a posh salon, pushes his star stylist, Gina(Latifah), a hair too far, Gina leaves and opens a beauty shop of her own. Inheriting an opinionated group of stylists, a co! lorful clientele and a sexy upstairs neighbor, Gina proves that you can't keep a good woman down - and you can't keep a shopful of outrageous women from speaking their minds!With Queen Latifah holding court over a cast of sassy females, Beauty Shop continues the Barbershop franchise in entertaining style. Reprising her role from Barbershop 2: Back in Business, Latifah plays Gina the big-booty stylist, now on her own (she's a widow) and moving from Chicago to Atlanta, where she gets sick of her flamboyantly bitchy boss (played by... Kevin Bacon?), inherits her two best clients (Andie MacDowell and Mena Suvari) and her popular formula for "hair crack" conditioner, and opens her own styling shop with a $30,000 loan and a rainbow coalition of hairdressers played by Golden Brooks, Sherri Shepherd, Alfre Woodard and Alicia Silverstone. While it lacks the frank, sharply observant racial humor of Barbershop, this easygoing comedy moves along at an agreea! ble pace, with a supporting cast of beauty-shop customers (and! a love interest, played by Djimon Hounsou) who play off Queen Latifah's effortless appeal with energy to spare. Sure it's conventional, and most of the characters are thinly developed, but Beauty Shop is a fun place to visit for 105 hassle-free minutes. --Jeff ShannonThe Beauty Shop is UNDER NEW MANAGEMENT and the new owner’s name is "BIG MAMA LUCILLE." ‘Big Mama’ is actually not so big because she’s a sassy, sexy and flirtatious midget with all the elements that a beauty shop owner could ever ask for. Her shop is loaded with gossip, craziness and cat-fights…not to mention the outrageous characters that work for her. The daily issues that arise in the shop range from adultery and bad hygiene to dirty talk and bachelorette parties. As usual, in this Beauty Shop there’s hysterical laughter, dynamic singing and surprises galore. This is not a gospel stage play, but rather a side-splitting, comedic production; an evening of non-stop laughter and just like t! he original, "BEAUTY SHOP" is total entertainment.Help mom and dad around the house with these fun building toys! This sturdy canvas kids tool belt from International Playthings features two easy to use pockets on the front that holds a Pretend play hammer, pliers, adjustable wrench and screwdriver with two bits! Also included is an electronic beeper for the busy builder!
web log free