After the Wedding
- AFTER THE WEDDING (DVD MOVIE)
At 278 pounds, Susan Maria Leach couldn't lie in bed without gasping for air, wasn't able to fit into a restaurant booth, and could barely buckle the belt in an airplane seat. It would have been easier to allow life to pass her by than to continue fighting her weight problem, but she made the difficult decision to take back control. In 2001, Susan underwent gastric bypass surgery and started on a journey that would not only cut her body weight in half but would change her life.
Before & Afte! r is both a memoir and a cookbookâ"an intimate account of Leach's own transformation as well as a guide for those who have undergone or are considering the procedure. As Leach has learned in the six years since her operation, weight-loss surgery is not an event with a finish line or a goal weightâ"it is the beginning of a new way of life.
This edition of Before & After has been updated with all that Leach has learned on her post-op journey. It includes a foreword by Leach's surgeon, advice from a nutritionist, answers to more frequently asked questions about weight-loss surgery, a whole chapter on meal plans for different post-operative stages, suggested menus for early food stages, additional questions and answers affecting longer-term post-ops, and new information about products that have entered the marketplace.
Most notably, this edition showcases a wealth of new recipes that utilize the latest in light and healthy ingredients for smart an! d savory results, including everything from Asian Meatballs wi! th Peanu t Sauce and Turkey Tenderloin with Apple Chipotle Chutney to sugar-free Pistachio Gelato and Lemon Almond Sponge Cake. Each recipe makes about four servings, but includes a measured serving for WLS people along with a calorie/carb/fat/protein count. Leach has recipes for every step of the way, from tastes-like-the-real-thing milk shakes for those first post-op days to an entire Thanksgiving menu.
Before & After is a journal of Leach's own inspirational story, where she shares her ups and downs, her tips and techniques, but mostly it's a book of hope for anyone who has a serious weight problem.
Before and After magazine's focus on clarity, simplicity, and elegance has won it legions of fans--fans who will welcome this second volume of the definitive Before and After Page Design by John McWade. Truly an icon of the graphic design community, his insistence on approaching design not as mere decoration but as an essential form of communication is! vividly apparent in this cohesive primer on page design and layout. And you could not hope for a better, more qualified teacher. McWade shows readers how to arrange and present information using today's powerful graphics tools. Readers will learn how to design single-page and multi-page documents, brochures, and ads; why one typeface works better than another; and much more. Best of all, they'll discover how to think visually transforming the images in their heads into something that communicates effectively on the page.Two of Hollywood's brightest stars, Meryl Streep (THE HOURS, ADAPTATION), and Liam Neeson (GANGS OF NEW YORK, SCHINDLER'S LIST) deliver spellbinding performances in this riveting, suspense-filled thriller! A small, close-knit community is rocked by a shocking murder -- and the only suspect is the teenage son of a respected local family. Suddenly, Dr. Carolyn Ryan (Streep) and her husband, Ben (Neeson) are faced with a gut-wrenching dilemma: Whether to risk ! everything on their son's innocence ... or protect him from hi! s possib le guilt! Devastating yet powerfully entertaining, you're sure to agree with critics everywhere who found BEFORE AND AFTER thrilling from beginning to end!Liam Neeson and Meryl Streep play a couple going through a parents' nightmare: Their son (Edward Furlong) is accused of murdering a local girl. What's worse, he's gone into hiding, seeming to lend credence to the charges. Neeson, as a passionate, intuitive artist, tries to take matters into his own hands; when he finds what appear to be blood-stained clothes in the kid's car, he cleans the whole thing up and winds up destroying evidence, making matters increasingly worse. Before and After is a solid if stolid drama, with a strong, controlled performance by Streep as the worried wife and mother, while Neeson comes off as overwrought playing the controlling father. Given the subject matter and the presence of director Barbet Schroeder, this movie should be a lot more interesting than it is. --Marshall FineAll this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to them, raising the bloody-disgusting body count and creative means of murder--outboard motor, super-size chainsaw, belt sander--strictly to satisfy an urge felt only by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet g! roupie club. Green is intentionally riffing on slasher films n! ot only with the comic dialogue and dopey characters, but also by employing icons of the genre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting movie. You're watching to see a giddy homage to the glory days of practical gore effects and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryStudio: Mpi Home Video Release Date: 02/01/2011 Rating: NrThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit! Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget sequel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches and finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony Todd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.
All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to the! m, raising the bloody-disgusting body count and creative means! of murd er--outboard motor, super-size chainsaw, belt sander--strictly to satisfy an urge felt only by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet groupie club. Green is intentionally riffing on slasher films not only with the comic dialogue and dopey characters, but also by employing icons of the genre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting! movie. You're watching to see a giddy homage to the glory days of practical gore effects and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryGet ready for one of the most talked-about, red- blooded American horror movies of the past 20 years: When a group of New Orleans tourists take a cheesy haunted swamp tour, they slam face-first into the local legend of deformed madman Victor Crowley. What follows is a psycho spree of seat-jumping scares, eye- popping nudity, skull-splitting mayhem and beyond. Joel David Moore (DODGEBALL), Deon Richmond (SCREAM 3) and Mercedes McNab (BUFFY THE VAMPIRE SLAYER) star â" along with horror icons Tony âCandymanâ Todd, Robert âFreddy Kruegerâ Englund and Kane âJasonâ Hodder â" in this screamingly funny carnage classic that Fangoria hails as âa no-hold-barred homage to the days when slasher films were at their reddest and wet! test!âAdam Green's Hatchet is a goofy, gory gas that ! pays tri bute to the slasher boom of the 1980s by placing more hapless teens in the path of an indestructible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exactly surpass the movies it's spoofing; Green's characters are dopey ciphers, and Crowley's indiscriminate killing spree negates his sympathetic origins. But the dialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair ! Witch Project. The widescreen DVD includes commentary by Green and several of his players, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul GaitaStudio: Tcfhe/anchor Bay/starz Release Date: 09/07/2010 Run time: 84 minutes Rating: NrAdam Green's Hatchet is a goofy, gory gas that pays tribute to the slasher boom of the 1980s by placing more hapless teens in the path of an indestructible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exact! ly surpass the movies it's spoofing; Green's characters are do! pey ciph ers, and Crowley's indiscriminate killing spree negates his sympathetic origins. But the dialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair Witch Project. The widescreen DVD includes commentary by Green and several of his players, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul Gaita